Take a good hard look and see if the natural progression of "tolerating" everything is producing the world in which you really want to live.
From "DaVinci Code, Move Over!" by Sandy Rios, posted 9/27/07 at Townhall.com
It looks like a pagan worship scene from a Cecile B. DeMille rip-off featuring half-clad homosexual sadomasochists with animal masks and sex toys.
Trouble is it isn't a scene intended to expose debauchery, but to celebrate it. Da Vinci Code, move over! You've been replaced by a new version of "Last Supper mockery" in honor of the "world's largest leather event," the Folsom Street Fair in San Francisco.
Amidst black leather, tattoos and feather boas, homosexuals pose as apostles who in the original painting are depicted gathered at a table with their sweet savior to partake of the last meal together.
DaVinci's famous painting features the bread, a symbol of Christ's body "broken for you" as Jesus said, and the wine representing his blood, soon to be given in sacrifice for the sins of His disciples as well as for all mankind.
But on this table, rather than the symbols of that great act of a great Savior, rests sex toys—symbols for the object of their worship: the god of sex and unlicensed physical pleasure. These are perfect symbols, actually, because sex drives, motivates, consumes and demands homage in this radical community more than any other thing. It defines their lives, gives them their names, establishes their relationships, maps out their days, determines their holidays and dominates their nights.
Read the rest of Sandy's commentary.